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We’re going to start construction next year. RM: Is there anything else you want to mention?īlow: I would like to give a shout-out to the Universal Hip Hop Museum. She was like, “Baseball has their song, but basketball doesn’t have one, you need to do one.” Believe it or not, my wife was the one who gave me the idea to make it.
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#YOUTUBE KURTIS BLOW BASKETBALL UPDATE#
RM: Do you ever get offers to update your song “Basketball” with new players and names?īlow: Yeah, all the time. So I think that … he did more for me than I did for him. RM: Speaking of God, what do you make of the fact that Run of Run-DMC, who once billed himself as your son, is now a minister, and you’re a minister as well?īlow: Yes! He tells me all the time, I got him into hip-hop, and he got me into God. You can hear the smile in my voice as I say this, “I thank God from the bottom of my heart.” Amen. Whenever there are miracles and mystical happenings and situations, we always say God has something to do with it. RM: You were the first rapper signed to a major record label.īlow: Yes, I was blessed and fortunate to be around at the right time.
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… It’s crazy at the end - one-of-a-kind experience for the whole family, what a great show. It’s a nice little intro, then I come back at the end and I sing “The Breaks” with the cast. I also have this song that I rap, to the introduction of the whole play. … I help get the audience ready to experience the show. Kurtis Blow: It’s a real hip-hop interpretation of the classic “Nutcracker” story of Tchaikovsky, all that timeless music. Richmond magazine: Tell me about “The Hip Hop Nutcracker” and how you got involved. This is “ The Hip Hop Nutcracker,” a touring show in its fifth year that features contributions from legendary rapper Kurtis Blow, known for his hits “The Breaks,” “Christmas Rap” and “Basketball.” Blow, who splits his time between New York and Los Angeles, chats about the touring musical, his most enduring song and opening a hip-hop museum. Some of the music might sound familiar, as the classic soundtrack is overlaid with boom-bap sounds. This isn’t your grandfather’s “Nutcracker.” Set in the 1980s at a Brooklyn nightclub, this version of the two-act ballet scored by Pyotr Ilyich Tchaikovsky features dancers performing backspins and uprocks instead of balançoires and pirouettes.